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MADE IN INDIA.

Superfine Lord Kubera Idol Made of Crystal and Copper with Gold Plated

$4581
Includes any tariffs and taxes

With the facial features of a heavenly youth and a plump body, this Nepalese statue of Kubera, made from gilded copper and crystal strikes a balance between Kubera’s divinity and power. The Sphatik or crystal used in the physique of Kubera is known in Buddhism as a pristine and sacred stone, which brings auspiciousness to the devotee’s space. The splendid aureole, platform, and Kubera’s ornaments are studded neatly with precious stones, increasing the glorious appearance of the Lord of eternal wealth. 

Specifications
MIS848
Crystal and Copper with Gold Plated
Height: 10 inch
Width: 7 inch
Depth: 6 inch
Weight 2.40 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

Embodiment of Wealth and Prosperity: A Lord Kubera Sculpture

This exquisite sculpture captures the divine essence of Lord Kubera, the king of the Yakshas and the celestial treasurer, venerated for his power to bestow wealth and prosperity. Crafted with unparalleled artistry, this idol is a testament to the rich cultural heritage of Nepalese craftsmanship, blending traditional iconography with precious materials. The central figure of Kubera is carved from pure, superfine crystal, allowing light to pass through, symbolizing clarity, purity, and the ethereal nature of divine blessings. His serene yet powerful form is seated in a relaxed posture, exuding an aura of benevolent authority. The crystal body is delicately adorned with meticulously crafted copper elements, which have been lavishly gold-plated. This fusion of materials creates a visually stunning contrast, with the warmth of gold accentuating the cool translucence of the crystal. The intricate detailing on the copper work, from the ornate crown that graces Kubera's head to the divine regalia that adorns his form, speaks volumes of the artisan's skill. Each piece of jewelry, from the necklaces to the bracelets, is inlaid with vibrant gemstones, including coral and turquoise, adding depth and color to the deity's divine attire. These precious stones are not merely decorative; they are imbued with symbolic meaning in various spiritual traditions, often representing protection, vitality, and abundance.

A Patron of Fortune and Blessings

In Hindu mythology, Kubera is often depicted as the guardian of riches and the dispenser of fortune. He is believed to reside in the mythical kingdom of Alaka, a city of gold and marvels, and is served by a host of celestial beings. Tales abound of his generosity and his role in ensuring the prosperity of the universe. He is the son of Vishrava and Idavida, and the half-brother of the demon king Ravana. Despite his lineage, Kubera is a righteous deity, devoted to dharma and the well-being of humanity. His worship is particularly prevalent in times of economic uncertainty or when seeking financial stability and growth. The posture and iconography of this sculpture are deeply symbolic. Kubera is often shown holding a mongoose, which is said to disgorge jewels, symbolizing his inexhaustible wealth. While not explicitly depicted here, the imagery surrounding him, particularly the elaborate throne and adornments, powerfully conveys his status as the Lord of Treasures. The inclusion of the auspicious symbol at the top, commonly found in Tibetan Buddhist art, further enhances the spiritual significance of the idol, linking it to Tibetan Buddhist traditions where Kubera is also revered as Jambhala, a deity of wealth. This sculpture is more than just a decorative item; it is a sacred representation, intended to bring positive energy and blessings into the space it inhabits. It serves as a constant reminder of the potential for abundance and prosperity, encouraging devotion and fostering a connection with the divine forces that govern wealth and fortune. The craftsmanship, the quality of materials, and the spiritual depth of the representation make this an exceptional piece for any altar, meditation room, or as a distinguished centerpiece for a discerning collector.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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