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MADE IN INDIA.

The Savior Goddess Green Tara

$1650
Includes any tariffs and taxes
Specifications
XI46
Copper Sculpture Gilded with 24 Karat Gold
Height: 20.5 inch
Width: 14.5 inch
Depth: 12 inch
Weight 10.85 kg
Delivery and Return Policies
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

A Beacon of Compassion

Behold a magnificent representation of divine feminine energy, a powerful symbol of compassion and swift action. This sculpture is more than just an aesthetic piece; it is an embodiment of enlightened activity, a reminder of our own potential for boundless love and care. Its presence radiates tranquility and serves as a powerful focus for meditation and devotion. Imagine the warmth and wisdom it will bring to your personal space, a constant encouragement to cultivate compassion within yourself and extend it to the world around you. Crafted with precision, this figure conveys a sense of serenity and readiness to assist. The meticulous detail, from the serene expression to the intricate adornments, reflects the deep respect and artistry inherent in its creation. This is a legacy piece, a work of art that resonates with centuries of tradition and spiritual significance.

Tara: The Star Goddess

In Tibetan Buddhism, Tara is known as Jetsun Dolma, or the "Noble Deliverer". She is revered as a Bodhisattva, one who has achieved enlightenment but chooses to remain in the cycle of rebirth to guide others on the path to liberation. Of the various forms of Tara, the green is associated with active compassion and readiness to help. Her swiftness in answering prayers is often likened to the speed of the wind. Legend tells of Tara's birth from a tear shed by Avalokiteshvara, the Bodhisattva of Compassion. Overwhelmed by the suffering in the world, Avalokiteshvara wept, and from his tears arose a lotus flower, which blossomed to reveal Tara. This story illustrates the profound connection between compassion and the emergence of enlightened beings. It is also said that Tara, in a previous life, vowed to always be reborn as a woman, defying the patriarchal norms of her time. She declared that there was no reason why women could not attain enlightenment just as effectively as men, embodying a spirit of inclusivity and female empowerment that continues to inspire.

Craftsmanship and Spiritual Significance

This striking piece has been meticulously crafted, using time-honored techniques handed down through generations of artisans. The copper base provides a solid foundation, symbolizing stability and grounding. Layered over is genuine 24 karat gold, a material revered for its purity and enduring beauty, which further elevates the sculpture's spiritual value and symbolic richness. The gilding process enhances the fine details of the statue. The symbolism within this representation is rich and profound. The right hand in *varada mudra*, the gesture of giving, symbolizes generosity and compassion. The left hand holds the stem of a lotus flower, representing purity and spiritual awakening. The lotus blossoming at her shoulders further signifies the unfolding of enlightenment. The seated posture, the lotus throne beneath her, all speak to her groundedness and readiness to engage with the world. This statue is more than just an object; it is a repository of meaning, a tangible expression of spiritual ideals that will bring inspiration and grace to any home.

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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