Marble Image of Ganesha Riding a Chariot

$2095
Item Code: ZBL24
Specifications:
Marble Statue
Height: 14 inch
Width: 7 inch
Depth: 18.5 inch
Weight: 31.70 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

Not just the diction or strings of lyre, even a stone piece might become the medium of a lyric and vibrate into a melody if beauty and exoticism is its expression. An expression of exoticism this statue is a lyric that stone sings on its unseen strings. Overwhelmingly pleasing and exotic, whatever the divine image that it represents, the stone seems to sing a song, divine, sublime and unheard. It is not just the benevolent image, its aura, posture, or the purity of marble, its medium, its pleasant light saffron or gently laid gold or the exotic form of his mounts, it is rather the totality of effect to include also the elephant god’s divine ease that transforms the stone into a symphony. Rare as an art-piece the statue is rarer in its divinity. Not by his words or through invocation the elephant god blesses by his sheer presence and this sublime image ensures it : it makes his presence felt.

The statue represents the auspicious Lord Ganesha riding his chariot – a low floor tiny but exceptionally beautifully designed cart driven by three cute mice with wide open greenish-grey eyes and upwards raised muzzles. Elegantly saddled they look like three milk white tiny bulls drawing the Indra’s cart in some festival of gods. As if employing full force, and hence their subdued figures, all three mice seem to make a forward move. A basket-like designed luxurious couch Lord Ganesha’s chariot is only such large as could accommodate him alone. Lord Ganesha seems to be on a long inspection trip around the world ensuring that all is well and the notorious and detrimental forces are well contained. The mouse is Lord Ganesha’s regular mount; however, on a long errand anticipating the journey’s tediousness, as also that it could be tiresome, the compassionate Lord summons three of them for sharing the divine ordeal. With his normal right hand held in ‘abhay’ he ensures protection for all. Though in absolute ease and fully relaxed, Lord Ganesha is so seated that can step out of his cart any moment to attend an emergency, and accordingly is designed his cart with a low floor and free opening on the forepart. 

The artist has sculpted a usual four-armed image of the elephant god with usual four arms carrying in the two upper the symbolic goad and noose, one of the normal two held in ‘abhay’, and with reins in it the fourth, commanding the vehicle; however, in obtaining exceptional aesthetic level and technical perfection the statue is outstanding. In plasticity, fluidity, vibrancy and lyrical quality the statue seems to have been carved from a wax-like soft medium, not one from stone. He has most amicably assimilated in his form elements otherwise in constant conflict. He is an alert carter but as much casually is laid his reins’ holding hand over his left knee. This casualness that reflects in the gesture of his hand and the left knee defines the mood of Lord Ganesha’s entire being. In his earthwards suspending right leg the artist seems to have conceived his image in ‘lalitasana’; however, the requirement of the theme necessitated that the left leg was sculpted as upwards raised the artist modeled it as in ‘utkut-akasana’. The cute knotted trunk tells the same tale. Left inclining it finally turns to right, a blend of two classical forms ‘valampury’ and ‘edampury’.

The image has been sculpted with a flat horizontal plaque as its base, though its length falls short of the total composition; the sportive mice seem to gallop out of it. Though provided with wheels, the beautifully embellished coach is almost like Lord Ganesha’s regular seat. With its fore-wheels smaller, and back, large, the sculptor has designed it something like a racing car. The coach’s elevated back with rounded sides substitutes the lavish bolster that usually serves as backrest on his normal throne or seat in a painting or sculpted image.  The sculptor has shown rare ingenuity in carving such details as the folds of his ‘antariya’ and sash, and decorative patterns on his coach.

This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.

How to clean and maintain marble statues?


Marble has been a preferred material for sculptors and artists for more than a thousand years. It is a rock that undergoes metamorphism which causes recrystallization of the original carbonate mineral grains. Marble comes in various colors, designs, and dimensions. Pure white marble is the most preferred type of marble for making sculptures and statues since time immemorial. White marble is especially used for sculpting stone monumental sculptures since ancient times. The natural shine and luster of the carbonate crystals of white marble give a lavish and beautiful appearance to the statue.

 

Marble stone statues are highly durable and can even withstand harsh weather conditions without getting corroded, therefore, they can be kept indoors or outdoors without getting damaged or weathered. Although these statues can last for many decades, their regular care and cleaning are essential to increase their longevity and beautiful appearance.


  • The simplest and basic way of cleaning a marble stone statue is to clear away dirt accumulated on the surface. Outdoor statues are especially prone to biological growth and dirt build-up that may take away their natural beauty. You may rinse the statue with warm water and mild soap to clean the dirt as much as possible. You can use a sponge or cotton cloth to scrape off dirt accumulated in crevices and cracks.

 

  • You must never allow water to stand on the surface of the statue for a long time. Standing water gets absorbed by the marble’s porous surface which results in its discoloration. Therefore, it is always recommended to dry-clean the statue with a towel or damp cloth.

 

  • Applying beeswax, a non-toxic product, on the surface of the marble statue offers protection against staining, dirt, and pollutants. It also polishes the surface and gives a natural shine to the statue.

 

Marble statues need periodical cleaning to maintain their flawless look. However, harsh and deep cleaning can result in making the statue look dull. If your marble statue is withering away, it is recommended to take the help of a professional cleaner. Marble is a delicate material and therefore needs proper care.

Marble Mastery Unveiled: The Artisan's Symphony in Sculpting Timeless Beauty

Marble is a soft and delicate metamorphic rock derived from limestone. It is composed mainly of recrystallized carbonate minerals. The appealing appearance of marble gives rise to the making of beautiful sculptures and statues. Jaipur city of Rajasthan, India, is considered the capital of marble carving where various marble idols of Hindu Gods and Goddesses are made. These magnificent statues are carved by skilled sculptors out of the purest white marble. The slight softness of white marble makes it easier to be carved and chiseled into any desirable form or shape. Another impressive feature of marble is that the calcite has a low refractive index that allows light to penetrate the stone before getting scattered out. This results in bringing a translucent appearance and luster to the marble sculpture. This is the reason why most sculptors prefer to work with marble for sculpting life-size statues that require intricate details, evoking a certain realism to the work.

There is a detailed or step-by-step process of developing the desired structure of a sculpture from marble stone. These steps are:

1. Clay mould

Most sculptors prefer to sculpt a preliminary model out of clay or wax to translate its complex and intricate details into the final stone sculpture with the use of calipers or a pointing machine. The plasticity of the clay mould helps sculptors capture the success of the final sculpture before carving the stone. The clay is moulded into the desired shape or form and this acts as a rough
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2. Roughing out

The second step of carving or sculpting is to remove large portions of unwanted marble stone. This task is done by using a special tool known as a point chisel. The pointed end of this tool is useful for splitting the large stone and removing big chunks that are not wanted. Usually, a mallet (a tool similar to a hammer) is used to transfer energy through the chisel to shatter the stone evenly and accurately.
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3. Refining the figure

Once the sculptors have determined the general shape of the sculpture, a toothed chisel or claw chisel is used to refine the stone. These tools create parallel lines in the stone to add texture to the figure. During this stage, the rough block of stone has now changed into the general shape of the sculpture.
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4. Adding the details

The sculptor is now ready to carry out detailed work to develop a more refined form of the sculpture. Tools such as rasps and rifflers are then used to enhance the shape into its final form. These tools finely create details such as frills or folds of clothing or locks of hair.
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5. Polishing

This is the last step in marble sculpting in which the sculptor uses materials such as sandpaper to bring out a natural sheen to the sculpture. The sandpaper is rubbed against the surface to make it smoother and flawless. Sometimes, tin oxide is also used to make the sculpture appear glossy and more translucent.
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Marble sculptures are highly durable and can last for many decades if maintained and taken care of properly. They are also extremely weather-resistant and therefore, can be kept outdoors or indoors. The exquisite beauty of marble statues elevates the aura of the space and emanates positivity all around.
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