During this initial heyday, the Nyingma tradition was the whole of Tibetan Buddhism. In the middle of the 9th century however, Buddhism was persecuted by King Lang Darma (r. 836-842), who took the throne after the assassination of the Dharma king Tri Relwajen. When Lang Darma in turn was assassinated by a Buddhist adept, Lhalung Pelgyi Dorje, the Yarlung dynasty was thrown into chaos, and the country soon split into poorly coordinated regions. Buddhist monks fled to the outer provinces. The recently translated Buddhist texts were destroyed or hidden. The Buddhist temples and monasteries were unable to function for a long time.
From the middle of the 10th century, the Dharma began to return to the central regions. At the same time, later forms of Indian Buddhism entered Tibet through the work of numerous Tibetan translators and Indian masters. Around this time, the Nyingma was formed into a distinctive order; it was based on the spiritual lineages preserved in the families of the descendants of the disciples of Padmasambhava, on the sacred texts in the "old" translations done in the Samye period, and on the monastic traditions descended from Shantarakshita.
During the period of the later waves, the Nyingma traditions were collected and preserved by many scholars, although because of its relative paucity of monasteries the order remained a minority movement. Then, in the 14th century, it too caught the monastery fever and built six major centers around Tibet. The greatest of its lamas in this period was the incomparable Longchen Rapjam Tsultim Lodro, considered a direct incarnation of the Bodhisattva Manjushri. He synthesized the whole Buddhist teaching into a systematic path leading up to the Great Perfection. His numerous works are among Tibet's greatest treasures and have served as the foundation and summit of the Nyingma curriculum until the present day.
This description by Dr. Shailendra Kumar Verma, Ph.D. His doctorate thesis being on the "Emergence and Evolution of the Buddha Image (from its inception to 8th century A.D).
How to keep a Brass statue well-maintained?
Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.
Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.
In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth.
Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity.
For privacy concerns, please view our Privacy Policy
Send as free online greeting card
Email a Friend
Manage Wishlist