As prescribed for his form as Ekadanta, Lord Ganesha is one-tusked and four-armed. He is carrying in his normal right hand his broken tusk, an essential attribute of his Ekadanta form, while in other three, a goad, noose and ‘modaka’ or ‘laddu’. The broken tusk in his right hand has mythical contexts. It is said that he had written with it the great epic Mahabharata when its author sage Vyasa could not find a scribe to do it. As the tradition has it, he worshipped Lord Ganesha and prayed him to scribe the great epic when he dictated it. Hence, Ekadanta Ganapati is worshipped also as the patron of literature, and not only that in all academic events his worship precedes the worship of Saraswati, the goddess of learning, but an ivory pen, symbolic of his broken tusk with which he had scribed the great epic, is revered as the highest tool of learning.
This seated image of Lord Ganesha has been installed on a four-tiered high pedestal consisting of a rectangular base comprising an upwards tapering lotus moulding, a plain moulding with a projected edge over it, a full blown lotus above it and finally a plain circular moulding on its top. From the backside of the pedestal there radiates an elaborate fire-arch which rises on architectural members looking-like half columns on either side consisting of lotus mouldings and adorned with floral arabesques. Over these half columns rises a circular arch, a plain ring inside and a course of stylised leaves over it. It is topped by a motif having the Kirtimukha’s resemblance. The elaborately bejeweled figure of Lord Ganesha is in ‘lalitasana’ – seated posture. He is putting on an elegant ‘antariya’ with laces of beads alternating its pleats, a low-height crown and a yajnopavit around his belly. In precision, figural grace, craftsmanship, anatomical proportions, finish and overall execution the statue is simply rare.
This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.
How to keep a Brass statue well-maintained?
Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.
Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.
In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth.
Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity.
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