The first Prakasha or section of the Indian text Shilpaprakasha, a treatise on architecture and sculpting talks about a popular element in Indian temple art- beauteous young women, in different postures and forms adorning the walls and other parts of the sanctum with their grace. These enchanting maidens are called “Alasya Kanya” or idle women, a name derived from their laid-back attitude and bodily posture in which their allure is best displayed by the sculptor. According to the Shilpaprakasha- “As a Vaasa (home) and Kreeda (playfulness) are incomplete without the presence of a young woman, so is art without the imagery of the feminine, fruitless and devoid of pleasure.” The numbers of Alasya Kanya are 16 or 32 or even more, but the essence of these stunning female icons is one- the artistic exaltation of fertility and auspiciousness possessed by women.
One of the most recurring motifs from the Alasya Kanya retinue is the lady with a mirror, also known as Darpana, who holds a darpana or mirror. This large wooden statue of depicts a young maiden engrossed in gazing at her beauty, which can mesmerize humans, gods, Yakshas, and Gandharvas (celestial beings). This particular Darpana Sundari (beauty with mirror) is inspired by the rich sculptures of Madanikas (celestial maidens) carved in the Channakeshava Temple, at Belur- the home of Hoysala art and architectural marvels.
The detailed ornamentation, bodily proportions, and features relate this wooden Darpana with her sisters in the courtyard of the Hoysala temple, who are some of the best-preserved examples of the delineation of feminine beauty in India. The lady with the mirror or the mirror lady we see here is standing leisurely atop a platform decorated with lotus petal marks and a floral crest in the middle. She has a moon-white skin tone with hints of red henna and forehead marks and is carved in a rounded manner that captures her allures to the fullest. Her curled hair is in a bun which is secured at the back with a floral Shirachakra and earrings, necklace, and other ornate ornaments cling to her swinging form. The Mekhala or bejeweled girdle of this wooden lady with mirror has multiple gemmed strings, creating a luxurious skirt for the heavenly maiden.
The colorful woodwork has been carved with attentive details to trace an animated Darpana with finishing that infuses her with an antiquated quality. Her face appeals to the gaze with two large almond eyes, a sharp nose, and lips that are about to break into a smile. She elegantly holds a mirror in her hand while playfully touching an extension of her ornament.
How to care for Wood Statues?
Wood is extensively used in sculpting especially in countries like China, Germany, and Japan. One feature that makes the wood extremely suitable for making statues and sculptures is that it is light and can take very fine detail. It is easier for artists to work with wood than with other materials such as metal or stone. Both hardwoods, as well as softwood, are used for making sculptures. Wood is mainly used for indoor sculptures because it is not as durable as stone. Changes in weather cause wooden sculptures to split or be attacked by insects or fungus. The principal woods for making sculptures and statues are cedar, pine, walnut, oak, and mahogany. The most common technique that sculptors use to make sculptures out of wood is carving with a chisel and a mallet. Since wooden statues are prone to damage, fire, and rot, they require proper care and maintenance.
It is extremely important to preserve and protect wooden sculptures with proper care. A little carelessness and negligence can lead to their decay, resulting in losing all their beauty and strength. Therefore, a regular clean-up of the sculptures is a must to prolong their age and to maintain their shine and luster.
For privacy concerns, please view our Privacy Policy
Send as free online greeting card
Email a Friend
Manage Wishlist