Milarepa’s cheeks too are depressed, giving a certain prominence to the sharp chin. Overall the statue follows the conventional iconography of Milarepa, who is visualized as a youthful figure with boyish, long hair. He is seated like a yogi on a deer skin placed on a craggy mount. The most important part of his iconography, his hand held at the right ear, is also present here. This symbolizes that the most important teachings can only be gained by listening and following the instructions laid down in the oral tradition.
It is often said that whether it be a painter or sculptor, the true measure of his skill lies in the manner in which he depicts the fingers. On this criterion alone can the sculptor of this excellent portrait qualify as a master-craftsman. Milarepa’s fingers here have been rendered extremely realistically, so much so that, being extremely thin due to his severe asceticism, they seem to zoom out to meet the equally finely rendered toes.
Milarepa wears only one garment, to retain his modesty just below the prominent navel centred on his sunken stomach.
This great saint inspires us to lead a life of sacrifice and not one of consumption.
This sculpture was cast in Nepal using the lost-wax process and then bathed in 24 karat gold using the age old technique of gilding.
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