9" Guru Padmasambhava Copper Statue | Nepalese Idols

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In Tibetan Buddhism, Guru Padmasambhava, sometimes referred to as Guru Rinpoche, is a highly esteemed figure, especially in the Nyingma school. Acknowledged as one of the pioneers, he is revered as the "Second Buddha." In the eighth century, Guru Padmasambhava was instrumental in introducing Buddhism to Tibet. Born in Oddiyana, which is now the Swat Valley in Pakistan, Padmasambhava eventually went to Tibet at King Trisong Detsen's invitation to aid in the establishment of Buddhism. His teachings, referred to as "Vajrayana" or "Tantric Buddhism," had a significant influence on the development of Tibet.


A serene expression, ornate garments, and a variety of ceremonial tools are common depictions of Guru Padmasambhava. It is thought that his actions helped spread Dharma throughout Tibet. He is connected to defeating evil forces and hindrances. It is said that Padmasambhava subdued local deities and demons, turning them into guardians of Buddhism. His deep teachings, referred to as terma (hidden gems), were stashed away in different places so that succeeding Buddhist practitioners may find them.


Guru Padmasambhava is consulted by devotees seeking guidance, protection, and blessings on their spiritual journey. The Padmasambhava Guru Rinpoche mantra and the commemoration of occasions such as Guru Rinpoche Day in Tibetan Buddhist communities serve as living testaments to his legacy. Those who follow the Vajrayana path still find inspiration and direction in his teachings.


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Item Code: MIU152
Specifications:
Copper Gilded with Gold
Height: 9.5 inch
Width: 6.5 inch
Depth: 4.5 inch
Weight: 1.60 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade

How are Nepalese copper statues made?

Nepalese statues and sculptures are best known for their unique small religious figures and ritual paraphernalia for over two thousand years. These are mainly cast in copper alloy. Nepal draws influences from the artistic styles of Buddhism and Hinduism, and therefore the sculptors of the country specialize in making the icons of both these religions. Over the years, Nepalese sculptures evolved into their own distinctive iconography. Some characteristic features of these sculptures that differ from other pieces are exaggerated physical postures, youthful and sensual features, languid eyes, wider faces having serene expressions, and ornate flourishes. The Buddhist deity icons of Nepal have tremendous demand in countries such as China and Tibet for ritual purposes in their temples and monasteries.

Nepalese statues and sculptures have a high copper content and therefore develop a slightly reddish patina on the surface as they age. However, the most unique feature of Nepalese copper statues is their decorative detailing. The pieces are heavily gilded and sometimes inlaid with semi-precious stones. This embellishment protects them from getting tarnished. The traditional lost-wax method for casting Nepalese copper statues remains the most practiced technique in Nepal for many centuries. This process involves many steps and requires skilled artists.

The first step in lost-wax sculpting is to make a wax replica of the desired Buddhist deity to be cast in copper. This replica is created by hand and therefore needs excellent artistic skills otherwise fine features will be lacking.

Once the wax replica is made, it is then coated with a special mixture of clay with a brush. This layer of clay is hardened when left to dry. A small hole is made on the base of the wax mould so that the wax flows away when it is heated.
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At this stage, a hollow mould in the shape of the deity is obtained.

This is the time to pour liquid copper into the hollow mould which is then allowed to cool and harden inside a container of cold water. When the liquid metal has hardened, the mould is removed and the statue within is revealed.
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The artist works on the details of the statue using various tools. It is then polished to get a shiny and lustrous surface.

Now comes the most important part of Nepalese art which is gold gilding. This is done by the traditional fire gilding method. A mixture of mercury and 18K gold is applied on the surface of the statue and heat is applied using a flame torch. The result is that mercury evaporates along with impurities, leaving a pure 24K gold finish.
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The lost-wax method of sculpting is the most preferred technique

for artists to cast a metallic statue having intricate details. Since Nepalese copper sculptures require extraneous effort for giving a majestic look by adding special embellishments, it takes several weeks to complete one masterpiece. A 24K gold gilded copper sculpture retains its brilliant luster for many years and appears as like before. Nepalese sculptures continue to remain one of the finest specimens of the art of the East that have a strong aesthetic appeal that other sculptures cannot match.
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