Lord Balaji of Tirupati Hills is a powerful form of Mahavishnu. He is known by many names such as Venkateshwara, Govinda, or Tirupati Timmappa. Vishnu is believed to reside in person in the sacred granite idol of the holy seven hills of Tirupati. Lord Tirupati Balaji is believed to be so powerful that the mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara is a full four-armed representation of Vishnu. But only two are visible from the front.
The two back arms, while empty, are for the purpose of picking up weapons to ward off any threats to his devotees. Notice the unusual posture of the left hand - straight down, bent at the wrist and lightly resting against the hip. The Vedic scriptures call this unique posture, the Katya Vilambit Hasta Mudra. This is a sign to the faithful devotees that the lord will never allow the flood waters of the bhavya Sagara to ever go beyond their hip level. This carefully crafted brass statue is an exact imitation of the sacred idol installed in the inner sanctum of the Tirupati Balaji Temple. It is available in four captivating colours - Alluring Silver, Double Chola, Gold and Natural Brass.
This brass statue, gold-like in lustre and an exact imitation of the image enshrining the Tirupati Balaji temple, is the most worshipped deity icon in India. If the number of visitors, their composition – not just the Indians and Indian RNIs but a large part of them foreigners and not just Hindus but followers of all sects, and the offering made to the deity which is annually in multi-crores, Tirupati Balaji is the most visited and as regards its assets and belongings richest, shrine in India, and one of a few across the world. The visitor stands in the hours-long queue, without food and water and half clad, and sometimes also shaven-headed, with children and aged parents, for a few seconds’ ‘darshan’ – vision, of the deity. Donations worth millions of rupees from the devotees whose wishes had been accomplished after their visit to the shrine are the prime source of the temple's income. Millions find an opportunity to visit the shrine but a far greater number of those find satisfaction in their spiritual ambition and the accomplishment of the ‘desired’ just by lighting an incense stick before a calendar image of the deity. Not ultimate, even in such devotion a devotee finds fulfillment of one’s spiritual desire and even worldly ambition.
Unlike any of his manifestations enshrining a temple anywhere, in India or abroad, this image represents Lord Vishnu rendered broadly in South Indian art idiom specific to Tirupati temple-deity known across the world as Venkateswara, or Venkatachalapati, popularly known as Balaji or Tirupati Balaji. The Venkateswara temple is revered as one of the holiest shrines in India. Mythically, Shesh-sayi – reclining on the coils of the great serpent Shesh, is one of the two most usual forms of the images of Lord Vishnu. Tirupati temple image represents him as standing, the other usual posture of his image. However, Tirupati Balaji also synthesizes elements of Lord Vishnu’s other form and hence the shrine’s sanctity is doubled. It seems the sires of ancient days who built the Venkateswara temple had not selected the site for the temple at random. The selection was well-considered. The undulating Eastern Ghats around Tirupati resemble the great serpent Shesh, or Adishesh, the seven hills corresponding to its seven hoods giving to Tirumala yet another name: Sheshachala, or the abode of Adishesh. This unique situation of the temple – in the midst of the hilltop at Tirumala mountain range of Eastern Ghats, some 849 meters above sea level, combines with the visible image also the invisible element of Shesh-sayi form. At the foot of the temple hill is situated the town of Tirupati.
A myth in the Padma Purana explains how Lord Vishnu transformed in the South as Venkateswara or Balaji. During a yajna performed by Manu there emerged a dispute as to who among the Great Trinity was supreme and was entitled to 'agrapuja'. One of the performing priests the great sage Bhragu was requested to decide the issue. Before he reached a conclusion he decided to talk to all three gods. He could find passage into Shiva’s abode but busy with his consort Parvati, Shiva did not pay heed to him. Brahma was only rude not showing even the courtesy to receive him. However, the sage lost his temper when on visiting Vishnu he found him sleeping. The enraged sage kicked him on his chest. Vishnu got up but instead of reacting angrily, he was apologetic for untimely sleeping. He also declared that he shall maintain on his chest Bhragu's foot-mark as 'Shri-vatsa' for reminding him of his duty towards saints and his subjects. However, Lakshmi, who was with him, felt insulted. She hence immediately deserted him and re-emerged in the South as Padmavati. Unable to bear separation Vishnu also left Baikuntha and came to Sheshachala. Long after it was reported to the king that milk from udders of all cows was stolen when in the course of grazing they passed across a spot. When the king’s men could not find the thief the king himself went after them. To his utter surprise, he saw that the milk flowed from their udders when they passed a particular spot. The place was dug and to his great delight there emerged from under the earth a stone image of Srinivasa. He built a on the spot a temple and installed the deity image in the temple now known as Venkateswara or Balaji. As is evident from various inscriptions Pallavas, Cholas, Pandyas and kings of Vijayanagara dynasty offered worship at the temple. This affirms the temple's existence at least as early as at least the 9th century.
An excellent work of art this brass image has been cast in exact pursuance of the norms of modeling as revealed in the image of the four-armed Lord Venkateswara enshrined in the Balaji temple at Tirupati. The deity’s upper hands are not discernible though the attributes carried in them – lotus on the right side, and conch on the left, have been elaborately cast. The normal right hand is held in ‘varad’ while the normal left is held back. A figure with moderate height, neck, almost merged with the torso, the deity-image has been cast with a towering crown – the characteristic South Indian form of a Vaishnava headgear, and Vaishnava ‘tilaka’ mark reaching the very tip of the nose, typical of Balaji icon. The large size garland, stretching almost like a ‘prabhavali’ – fire-arch, like, on the sides and over the head, and the entire ornamentation, especially multi-laced semi-circular girdle suspending over the waist and large ‘kundalas’ designed like large flowers, are also typical of Balaji imagery. The deity image has been raised over a circular lotus podium, an inverted larger lotus, towards the bottom, and a smaller one on the top.
This description by Prof. P.C. Jain and Dr. Daljeet.
How to keep a Brass statue well-maintained?
Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.
Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.
In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth.
Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity.
For privacy concerns, please view our Privacy Policy
Send as free online greeting card
Email a Friend
Manage Wishlist