The painted canvas or the Pauva (Thangka) is thoughtfully partitioned into distinct sections. The larger upper portion is dedicated to the primary deities and their followers, their intricate forms vividly captured. In contrast, the smaller lower part often houses depictions of patrons or contributors, serving as a testament to their support. Furthermore, the portrayal of women and men is visually demarcated, each positioned on opposite sides of the central deity or the ceremonial fire. This unique division by gender is a hallmark of Nepalese artwork.
The subject matter of pauva paintings encompasses seven principal categories: the life and previous incarnations of the Buddha, Buddhas and Bodhisattvas, meditative divinities, Dakas and Dakinis, and more.
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