Mythical tradition considers Dhanavantari as the son of Lord Vishnu. As various texts have it, soon after Dhanavantari saw Vishnu, after his emergence from Kshirasagara, he prayed him to consider him as his son and allocate for him his seat and a part of offering made at the yajna.
Vishnu said that gods preceded him hence he could not be one of them but assured that in his next birth he would be born as one of the gods and then he would be lauded by independent hymns and would have his due share in yajna-offering.
It all happened in due course and thus Dhanavantari was Vishnu’s son born by his blessings. Hence he has been conceived with Lord Vishnu like four-armed form, as also, as sharing some of his attributes, such as his ‘shankha’ – conch, and ‘Sudarshana-chakra’ – disc with such name, though having in his case different symbolic stretch. With the sound of ‘shankha’ he blunted the attack and extremity of illness and with ‘Sudarshana-chakra’, eliminated it completely.
Incidentally, ‘Sudarshana-churna’ – a medicinal powder with an identical name, is the timeless Ayurvedic drug compounding a number of antibiotic herbs and ingredients used for curing a wide range of fevers, and ‘shankha’ – cell, not merely the main source of calcium in Ayurveda, is also the name of the most deadly poison which on one hand kills by its mere touch, and on the other, is the most essential ingredient in many Ayurvedic medicines.
‘Shankha’ is also the name of a herb which by itself is one of the most effective tonics in Ayurveda particularly one that effectively fights summer-heat’s adverse affects. Obviously, the Ayurveda seems to have named two of its timeless products or inventions after name of its originator’s Vaishnava attributes.
Deity-like venerated, especially among those practising medicine in India, even allopathy, the tradition of casting/sculpting icons of Dhanavantari, enshrining them at work-place or even at domestic shrines, and lauding him with worship-hymns has been in prevalence since Puranic days. Major gods apart, among subsidiary divinities and subordinate gods Dhanavantari is the only one whose iconography has been duly prescribed, and hence his images have astonishing uniformity across centuries.
This description by Prof. P.C. Jain and Dr. Daljeet. Prof. Jain specializes on the aesthetics of literature and is the author of numerous books on Indian art and culture. Dr. Daljeet is the curator of the Miniature Painting Gallery, National Museum, New Delhi. They have both collaborated together on a number of books.
How to keep a Brass statue well-maintained?
Brass statues are known and appreciated for their exquisite beauty and luster. The brilliant bright gold appearance of Brass makes it appropriate for casting aesthetic statues and sculptures. Brass is a metal alloy composed mainly of copper and zinc. This chemical composition makes brass a highly durable and corrosion-resistant material. Due to these properties, Brass statues and sculptures can be kept both indoors as well as outdoors. They also last for many decades without losing all their natural shine.
Brass statues can withstand even harsh weather conditions very well due to their corrosion-resistance properties. However, maintaining the luster and natural beauty of brass statues is essential if you want to prolong their life and appearance.
In case you have a colored brass statue, you may apply mustard oil using a soft brush or clean cloth on the brass portion while for the colored portion of the statue, you may use coconut oil with a cotton cloth.
Brass idols of Hindu Gods and Goddesses are especially known for their intricate and detailed work of art. Nepalese sculptures are famous for small brass idols portraying Buddhist deities. These sculptures are beautified with gold gilding and inlay of precious or semi-precious stones. Religious brass statues can be kept at home altars. You can keep a decorative brass statue in your garden or roof to embellish the area and fill it with divinity.
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