10" Parvati in Lalita Roop - Beauteous Aspect | Handmade Brass Statue | Made in India

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This great masterpiece, a brass-statue cast pursuing the standard format of the timeless Chola bronzes of South revealing the same level of precision, adherence to finish but without allowing much of resplendence to intrude and mar its natural elegance, figural balance, anatomical proportions and iconographic perception, represents Goddess Parvati, Lord Shiva’s consort, also known as Gauri. Born of Parvata – Himavan, the Himalayas manifest, the goddess gets her Parvati name. Texts revere her as the absolute manifestation of Adi Parashakti – primordial cosmic power, Shiva’s Shakti and his gentle aspect though in her being she manifested both, the wrathful aspect as well as the benevolent; her incarnations as Durga, Kali, Chandi, Shitla, Tara and the Mahavidyas being her wrathful forms, and Katyayani, Mahagauri, Kamalatmika, Bhuvaneshvari and Lalita among others, her benevolent manifestations.

Though unsurpassed in her beauty, female grace and womanhood, this form of the goddess modeled like an ‘Apsara’ – a celestial youthful nymph, seated all alone in an uninhabited corner is quite unlike Parvati. Almost invariably, when she is alone, that is without her spouse Shiva, the tradition perceived her with four to ten arms; it is only when she is with Shiva that she has normal two arms. Strangely, this figure of the goddess is all alone without her spouse and is yet normally armed. Though there are a number of Parvati temples across the land dedicated to her singly dating back to early centuries, in most of them her enshrining images are multi-armed, mostly with four arms. As such, this image seems to represent her in her pre-marital days when every of her thought was devoted as to how she could win Shiva’s love who desperate by Sati’s death was unable to see that Parvati was none other than Sati herself in her new birth. This affords reason to her being with normal two arms even when alone, and for the gesture of her fingers and demeanour of eyes.

The goddess has been represented as seated on a multi-tiered rectangular pedestal consisting of two parts, a three-tiered rectangular base composed of variedly cast mouldings, and an upper, the lower part conceived with conventionalized lotus design, and the top, a plain apsidal moulding, with her right leg folded and contained on the pedestal’s top, and the left, suspending down along the pedestal’s rise, a posture classified in Indian iconographic tradition as ‘Lalitasana’ – a sitting mode revealing great ease and beauty of form. This sitting posture with slightly raised right leg thrown to further right, and left, gently twisted to further left, creates delightful geometry and affords appropriate stance to the rest of the figure. The gestures of her arms, the shoulders’ breadth and projection of breasts attribute pleasing perspectives to this geometrical maneuvering of the figure. The rhythm that the left foot creates vibrates the goddess’s entire figure and adds to it astonishingly delightful dimensions.

The gesture of her right hand : the thumb locked with her forefinger as when engaged in some inner dialogue, the three-fourth closed eyes and the way her left hand rests on the pedestal, suggest that she is engaged in some inner dialogue or is in meditative trance. Her figure has been conceived pursuing the high standards of iconography : round face, well fed cheeks, rounded chin, large eyes with arching brows, sharp nose, cute small lips, elongated earlobes and a well defined neck, besides a perfectly balanced anatomy, broadened shoulders, sensuously modeled breasts, subdued belly and a bit voluminous hips. She has on her head a towering crown revealing Vaishnava character, an elegantly pleated ‘antariya’ – lower wear, and a few selective ornaments to include those on the neck, breasts, arms, ears and feet.

This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.

Exploring the Symbolism and Significance of Parvati in Hinduism

Goddess Parvati, the consort of Lord Shiva, is one of the principal deities of Goddesses in Hinduism. She appeared in the material world as the daughter of Himavan, king of the Himalayan mountains. The Vedic scriptures describe her as a young, beautiful woman who is chaste and faithful to her husband, Lord Shiva. She is always engaged in the loving service of her family; her two sons Ganesha and Kartikeya. Goddess Parvati is the embodiment of devotion, love, power, and beauty. The followers of the Shakta tradition (Shaktism) describe her as Adi Shakti or the energy behind the creation of material nature. She is very merciful toward all living entities like a mother who cares for her children and manifests many forms to protect them from miscreants. Her most venerated and important powerful forms are Durga and Kali that she took to vanquish demons who created havoc in the material world.

The Vedic scriptures talk of her beautiful form in detail. She wears a red saree and is generally seated, having two or four arms, beside Lord Shiva. Her younger son Ganesha sits on her knee, while Kartikeya sits or stands near Lord Shiva. Goddess Parvati is typically decorated with gold ornaments and a crown on her head and also carries a lotus flower in one of her hands.

What does Parvati symbolize?

Goddess Parvati is gentle and loving toward everyone. She never fails to help and guide those who approach her out of helplessness. Just as a mother is always kind toward her children, Goddess Parvati, being mother nature, is forgiving to all living entities. But when the time comes, she assumes different terrible forms such as Durga and Kali to defeat demons in order to protect the material world. She took the form of Durga and killed the demon Mahishasura. Kali, the most ferocious form, slayed the demon Raktabija. Thus, Goddess Parvati not only symbolizes love, fertility, motherhood, and harmony, but is also the Goddess of power, energy, and destruction.

Can we keep Shiv Parvati statue at home?

It is stated in Srimad Bhagavatam, the most glorious Vedic literature, that Lord Shiva is the topmost Vaishnava (devotee of Lord Vishnu): vaiṣṇavānāṁ yathā śambhuḥ. In order to get the mercy of the Supreme Lord Vishnu, it is important for us to serve His pure devotees. Thus, worshiping Lord Shiva along with his consort Goddess Parvati at home is the way to the heart of Lord Vishnu. But you must also know the standards of worshiping them so that no offense is committed at their lotus feet. If Lord Shiva and Goddess Parvati are pleased with your devotional service, you will easily get the causeless mercy of Lord Vishnu and thus the ultimate goal of your life will be achieved.