The vajra is an auspicious, highly symbolic object in Buddhism. It could mean either thunderbolt or diamond, and in traditional visual art takes the shape of a quadruple phurpa (Tibetan multi-headed dagger). The thangka that you see on this page is of a mandala, at the heart of which lies the all-important vajra. From its yin-yang centre protrudes four three-pronged ends at right angles to each other, each in the shape of a trishoola (trident). Strokes of crimson set off the solid gold colour of the body of the vajra.
The vajra is painted on a diskette of solid black colour. The space between its sharp ends are dotted with gold paint, while the entire vajra is surrounded by a circlet of gold petals filled in with black. Solid gold lotus petals surround the central motif, hints of a black gradient at the base of every petal lending it a three-dimensional finish. From the circumference of these lotus petals, in keeping with the directions in which the ends of the centremost vajra point, are the ends of a gigantic vajra. Diamond-shaped panels featuring floral motifs as well as deified chakshurindriya surround the central ensemble described hitherto. The ample black space between these panels are inscribed with the fundamental om-mani-padme-hum mantra. The letters are miniscule and arranged in uniform lines in keeping with the shape of the mandala.
Note the concentric series of petals that define this mandala. Given its striking resemblance to the concentric circles within as well as the motifs within, this thangka is of a mandala within a mandala.
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