This is a traditional snake drawing used for cobra worship on the annual Nagpanchami day. In this painting done in black and judiciously used red, the snake has been rendered in such a way that the entire drawing assumes the form of an austere, magical diagram. The exacting pattern of the diagram stems from the symmetrical movement of the convolutions of the snake along the regular grid of squares. The beginning and the end of the labyrinthine diagram are the head and tail of the reptile, that spring up in the open space.
This sacred diagram has a mystical aura about it. One is also struck by the remarkable draughtsmanship. The lines are like flowing stream-smooth and gentle yet confident. The flow is unbroken, not showing a sign of going over a line a second time. Madhubani paintings and bright colours are usually synonymous but here just a couple of colours are used. It is so because this is a Kayastha painting, wherein they use only two shades black and stale blood red colour. Before the introduction of commercial colours, the black was prepared from burnt jowar and red from the juice of kusum flower. Indigenous or commercial colours, the beauty of the painting or the meaning behind it remain the same.
This description by Kiranjyot
Of Related Interest:
Snake Worship In India (Book)
The Snake Charmer (Painting On Marble)
Dance to his Tune! (Stone Color with Black Soot on Paper)
Naga Natha (Brass Statue)
Send as free online greeting card
Email a Friend
Manage Wishlist