From childhood to the battlegrounds of Kurukshetra, Krishna’s Leela (divine play) has motivated the Indian arts and aesthetics to come up with gracious recreation of the dark-skinned Lord’s aura. In the Tanjore idiom, Krishna’s baalyakala (childhood), Kaishorya (adolescence), and adulthood grace the gilded artworks, which enrich and enliven the senses of viewers with the nectar of Krishna’s beauty. This exquisite Tanjore painting puts the conjugal bliss of Krishna inside a deep-hued wooden frame with his two head queens- Rukmani and Satyabhama. Devi Rukmani or Rakhmai (mother Rukmini) is the elder one out of the two, and is a form of Sri-Lakshmi, while Satyabhama is the incarnation of Bhudevi (earth goddess). Flanked by the auspicious embodiments of eternal fortune (Lakshmi) and eternal fecundity (Bhudevi), Sri Krishna in this Tanjore painting surpasses the glory of the universal sovereign- Chakravarti.
Standing under three majestically gold-wreathed arches, Krishna, Rukmini, and Satyabhama emanate divinity with their forms and ornamentations. Wearing his Pitambara dhoti, Sri Krishna is dressed like the icon of Vithobha, standing on a brick associated with his emanation as Vitobha. Rukmini and Satybhama, the incarnations of Sri Lakshmi and Bhudevi are dressed in auspicious red and green and their allure surpasses the beauty of queens. On the horizon, painted with blue and white, the traditional icons of Surya (sun) and Chandra (moon) witness the heavenliness togetherness of Krishna with his queens, while angels, an element borrowed from European art, shower the deities with flowers.
On the lower portion of this Tanjore painting, three ovular frames contain the figures of young Krishna with the central image showcasing his popular form as Navneeta Krishna, surrounded by gopis participating in Maha-rasa. Infused by the magical legends of Sri Krishna, this painting is beautified further by a profusion of gold in embellishment and traditional colors. A monotone wooden frame outlines this devotionally rich image of Krishna with Rukmini and Satybhama, who to the bhaktas of Krishna is the supreme father and mother.
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