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Shakyamuni Buddha Thangka Panting (Brocadeless Thangka)

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The solitary figure of Shakyamuni Buddha centrally positioned with a halo, is seated on the top of a Lotus with his right hand in the earth-witness gesture and his left is holding his beggar bowl. Below him we can see there are eight auspicious substances for the ritual: Mirror, they believed to represent the offering goddess of light, Prabhavati or ‘cycle of light’, who presented Shakyamuni Buddha with a stainless mirror, symbolizing the clear karmic vision of all his previous life.

The medicine is derived from the brain glands of particular animals like elephants, bears, and cattle. The curd represents the offering of milk rice made by the virtuous lady Sujata. The durva grass represents the eight handfuls of grass presented to Shakyamuni by the grass cutter Sothiya or mangla as a medicine. The Bilva fruit was presented by Brahma, and the white right-spiralling conch, by Indra.

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Item Code:	CAA357
Specifications:	PURE 24 CARAT GOLD,Acrylic Paint
Dimensions	29.1 inch Height X 20.9 inch Width

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The cinnabar powder was represented to the Buddha by the Brahmin king, and the mustard seed, by the powerful bodhisattva, Vajrapani. Other than offerings there is an eight-faceted jewel usually identified as lapis lazuli- depicting the eight nadis of the heart chakra, the eight directions, and the Noble Eightfold path. Jewels usually placed at the bottom of the painting they light light-toned from the top and dark from the bottom usually painted in four colors blue, red, green, and orange in the sequence of blue and red, with green and orange in a repetitive manner completing the row, this color scheme represents the multicolored lotus.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.

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