Richly Coloured Composite Patachitra Featuring The Dashavatara

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Name: Richly Coloured Composite Patachitra Featuring The Dashavatara
Brand: Exotic India
SKU: PW76
Price: 255.00 USD
Availability: InStock

$191.25

$255

(25% off)

To the artists of India, stories of Krishnaleela are an infinite fountain of inspiration. Lord Krishna is the most charming avatara of Lord Vishnu as the dusky and youthful Vrindavan cowherd, and the word ‘leela’ refers to His ethereal pleasures and pursuits. Countless times He has upheld the rule of dharma in ihaloka (the earthly realm of existence) and stories of His leela abound in the Indian psyche as well as art. The pattachitra painting that you see on this page is an amalgamation of many such narratives from the life and times of Lord Krishna.

The composite that you see on this page features a pair of circular panels. Their edges are lined with shapely white petals, which in turn are miniscule panels featuring the lovers intoxicated with their own music. Between the two are twin vertical strips of three panels each; and beneath them all is a horizontal strip of ten (‘dasha’) ochre-coloured panels featuring a single Vishnu-avatara each. This entire ensemble is surrounded by a series of small circular panels that define all four edges of the painting. A bed of soft green vine, interspersed with delicate pink petals, fills up the spaces amidst the panels.

Against the jet balck of the background, the palette of rich greens, blues, and ochres is a feast for the eyes. This is highly characteristic of the pattachitra form of folk art, which is traditionally practised in India with a focus on aesthetics as well as Vaishnavite narrative value.

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Item Code:	PW76
Artist:	Rabi Behera
Specifications:	Water Color Painting on Patti Folk Art From The Temple Town Puri (Orissa) Artist: Rabi Behra
Dimensions	38.50 inches x 22.50 inches

Handmade

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100% Made in India

Fair trade

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.

Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.

2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.

3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.

4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.