A painting of Radha-Krishna as visualised in South Indian worship. The iconography is distinct - the aesthetic is so much more humane, in terms of the deities’ forms and figures. They are standing next to each other with their ankles crossed and arms interlinked across each other’s shoulders, the very picture of sincere amorous intimacy.
The bare-bodied Lord Krishna is in a dhoti of peeta-coloured silk. Radha is in a saree the colour of emeralds. These jewel tones complement the lustrous gold inlay across the canvas. Metallic gesso-work painting is a distinctive regional art form and a recognised geographical indication. Known as Tanjore painting, the work you see on this page is a fine example of the traditional devotional art form.
Zoom in on the regions of the canvas superimposed with gold: the hems of the deities’ attire, the adornments on their soft, fair bodies, and the temple entrance-like structure above their heads. Semi-precious stones have been strategically inlaid into the precious metal. Like the emeralds and rubies in this painting, the eyes of Radha-Krishna are glittering with life.
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