Since the origin of Mithila paintings are connected with the images and diagrams of kohbar wall paintings, they are not even remotely narrative in character. From the central motif which is a derivation of the puraina motif, emerge a ring of parrots. In Indian context, the parrots symbolize the love birds and they feature constantly as images of the bride and bridegroom in folk songs and poetry. They are an inseperable element in Maithila paintings representing the happy lovers. Encircling the parrots is a ring of fishes, brightly coloured in variety of patterns. The fishes are emblems of fertility and proliferation and thus an essential symbol of 'kohbar' paintings. Beautiful drawn and painted lotus flowers occupy the remaining space. The lotus signifies fertility and auspiciousness. since, it is associated with goddess Lakshmi, it is personified as the bride desirous of the qualities possessed by the goddess.
A wide colour palette is used, making it an extremely vibrant painting.
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