Manjushri Seated On A Pale Pink Lotus

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Name: Manjushri Seated On A Pale Pink Lotus
Brand: Exotic India
SKU: TH06
Price: 355.00 USD
Availability: InStock

$266.25

$355

(25% off)

The formidable sword in His possession makes the Bodhisattva Manjushri instantly recognisable. He is the prajna (intrinsic wisdom) of Mahayana Buddhism and, with sword, He cuts through ignorance and vulnerability. While Manjushri is the oldest and the most important Bodhisattva of the Mahayana tradition, He is looked upon as a fully enlightened Buddha in Vajrayana Buddhism. The thangka that you see on this page captures the classical iconography of the Bodhisattva Manjushri (also known as Manjughosha or Manjushrikumarabhoota).

The gold-olive complexion of His body shines through gold-hewn robes of scarlet. In His left hand is the delicate stem of a mythical lotus; in His right hand, of course, the sword raised high above the head. The calmness and serenity on His face contrasts sharply with the highly determined stance of the torso and the arm that wields the sword. A halo of jewel-green colour brings out the flaming red colour of the Bodhisattva’s tresses as well as of the flame that surrounds the blade of the sword.

Three tathagatas - Amoghasiddhi (golden), Ratnasmabhava (purple), and Akshobhya (blue) - are seated along the upper edge of the thangka. Along the lower edge are Avalokiteshvara and Mahakala. The solid-coloured background features motifs found in traditional thangkas such as mountains and streams and trees growing in the otherworldly realm.

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Item Code:	TH06
Specifications:	Tibetan Buddhist Thangka Painting
Dimensions	Size of Painted Surface -17.7 inch X 24 inch Size with Brocade - 27 inch X 40.5 inch

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Manjushri is the bodhisattva of transcendent wisdom. He carries in his right hand the double-edged sword able to cut through illusion and with his left hand a blooming lotus that supports a book, the Prajnaparamita Sutra. In the Buddhist pantheon he is depicted as a youth of sixteen years in order to convey the Buddhist insight that wisdom is not a matter of mere experience or years., but results from the cultivation of intellectual genius, which can penetrate directly to the bedrock of reality. Wisdom is the most honoured virtue in Buddhism, called the Mother of all Buddhas, since only wisdom makes possible the great bliss of total freedom from all suffering that si the goal of all living beings.

The first day of the year is dedicated to Manjushri. He is looked upon by certain sects as the god of Agriculture, by others as the Celestial Architect, and is believed to have inspired with his divine intelligence those who have been active in the propagation of the Buddhist doctrine. He is the god of science, and swings his sword of wisdom with its flaming point to dissipate the darkness among men, to cleave the clouds of ignorance. The Chinese say that when he preaches the Law every demon is subjugated, and every error that might deceive man is dissipated. He is an extremely popular deity in all the Northern Buddhist countries, and one often sees his image in magic paintings, charms, and mandalas.

This description by Nitin Kumar, Executive Editor, Exotic India.

References:

Beer, Robert. The Encyclopedia of Tibetan Symbols and Motifs. Boston: Shambhala Publications, 1999.

Chakraverty, Anjan. Sacred Buddhist Painting. New Delhi: Roli Books, 1998

Leidy, Denise Patry, and Thurman, Robert A.F. Mandala: The Architecture of Enlightenment. London: Thames and Hudson, 1997.

Pal, Pratapaditya. Art of Tibet. Los Angeles: The Los Angeles County Museum of Art, 1990.

Rhie, Marylin M. & Thurman, Robert A.F. Wisdom and Compassion: The Sacred Art of Tibet. London: Thames and Hudson, 1996.

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Book: Symbols of Art, Religion and Philosophy

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.

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