Mahavidya Dhumawati - Embodiment of Tamas Guna

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

Dhumawati is ugly, unsteady, and angry. She is tall and wears dirty clothes. Her ears are ugly and rough, she has long teeth, and her breasts hang down. She has a long nose. She has the form of a widow. She rides in a chariot decorated with the emblem of the crow. Her eyes are fearsome, and her hands tremble. In one hand she holds a winnowing basket, and with the other hand she makes the gesture of conferring boons. Her nature is rude. She is always hungry and thirsty and looks unsatisfied. She likes to create strife, and she is always frightful in appearance.

The legend behind Dhumawati's origin says that once, when Shiva's spouse Sati was dwelling with him in the Himalayas, she became extremely hungry and asked him for something to eat. When he refused to give her food, she said, "Well, then I will just have to eat you." Thereupon she swallowed Shiva. He persuaded to disgorge him, and when she did he cursed her, condemning her to assume the form of the widow Dhumawati. The myth underlines Dhumawati's destructive bent. Her hunger is only satisfied when she consumes Shiva, who himself contains or creates the world. Ajit Mookerjee, commenting on her perpetual hunger and thirst, which is mentioned in many places, says that she is the embodiment of "unsatisfied desires."

The crow which appears as her emblem atop her chariot is a carrion eater and symbol of death. Indeed, she herself is sometimes said to resemble a crow. The Prapancasarasara-samgraha, for example, says that her nose resembles a crow's.

The dress she wears has been taken from a corpse in the cremation ground. She is said to be the embodiment of the tamas gun, the aspect of creation associated with lust and ignorance. Her thousand-name hymn says that she likes liquor and meat, both of which are tamsic. Dhumawati is also interpreted by some Tantra scholars as "the aspect of reality that is old, ugly, and unappealing. She is generally associated with all that is inauspicious: she dwells in areas of the earth that are perceived to be desolate, such as deserts, in abandoned houses, in quarrels, in mourning children, in hunger and thirst, and particularly in widows.

Colors of Tradition: Exploring the Artistry Behind Madhubani Paintings

Madhubani painting is also known as Mithila art as it is practiced in the Mithila region of India and Nepal. It has specifically originated from the Madhubani district of the state of Bihar. Traditionally, the women of this region created these paintings and in recent years, it has become a widely practiced art and has now become renowned throughout the world. This art expresses the creativity and culture of the people of Mithila and is passed from one generation to another. In this way, the heritage of Madhubani art has been preserved for many decades. The subjects of these paintings are usually religion, love, and fertility. Sometimes, social events like festivals, weddings, and royal court are also depicted in the paintings. The most commonly painted designs and themes are the forms of Hindu Gods and Goddesses such as Ganesha, Shiva, Saraswati, Lakshmi, Krishna, and Ram. The characteristic features of Madhubani paintings are their vibrant colors and eye-catching geometrical patterns. The empty spaces are filled with traditional motifs such as floral and foliate patterns, animals, birds, geometrical structures, and other designs. The local artists create these paintings using a variety of items such as matchsticks, twigs, brushes, pens, or even their own fingers. The paints are usually made with natural dyes and pigments.
As simple as it may seem, the making process of the world-famous Madhubani paintings is certainly not easy and requires lots of hard labor.

Traditional Madhubani paintings are done either on cloth, handmade paper, or canvas. Select the medium of painting as per your choice. If you have chosen cloth, attach it to cardboard to make a solid base. The making of the painting begins with making a double-lined border. This is a very important step because the border is filled with various geographical shapes and patterns or other motifs. The average width of the border is 1.5 - 2 cm. Now that the border is created, you will be left with a blank middle space. This is the main workspace. Start drawing your choice of figure, designs, and shapes. These must be relevant to the Madhubani painting themes.

When the key design has been made, the empty spaces in between are filled with some designs.
Now is the time to color the painting using vivid shades and hues. Colors in Madhubani are sourced from nature; Indigo is used to produce blue, flower juice produces red, turmeric gives yellow, leaves produce green, cow dung mixed soot gives black, and rice powder gives white.

To paint these colors, the artist uses a bamboo stick and wraps cotton around it. This acts as a traditional brush.
The entire painting is now painted using this special brush with natural vibrant colors. · However, in modern times, the common brush is used and instead of natural colors, artists prefer to use acrylic paints.

Since the entire painting is made with natural materials and colors, it appears simple yet enriching. Originally, this art was created on mud walls or soil grounds but when it evolved over many years, the people of Madhubani started to make it on fabric and paper. Today, this art has become globalized and is receiving worldwide attention and appreciation.