This picture represents Lord Krishna in an unusual deity form. He ahs been rendered here lifting Mount Govardhan, the most worshipped form of Lord Krishna, though the representation is only symbolical suggested by the movement of his raised left hand and its finger. This painting is in great conformity to the Nathdwara deity form of Shrinathji. As the tradition has it, mother Yashoda has been represented here as Purnaghat covered with a piece of red cloth. Krishna's favorite butter, in a gold casket, has been painted to his right and a small image of his elder brother, Balarama just below him.
The painting is in the decorative style of Tanjore art and here effects have been achieved using a massive quantity of gold. It has been created by a tedious process, which is a combination of painting and embossing. In addition the artist has stuck semi-precious gemstones at places to highlight the jewelry of the deity. For example on the crown of the Lord, stones have been glued with the help of a strong adhesive so that these stones jutt out of the two-dimensional painted surface, giving it a three-dimensional effect.
The decorative element is by and large very strong and characteristic of the Nathdwara deity image which is lavishly adorned with rich costumes and ornaments every morning before the doors of the shrine are opened. Fabulous ornaments are balanced by alike beautiful floral adornment.
This description by Prof. P.C. Jain and Dr Daljeet. Prof. Jain specializes on the aesthetics of ancient Indian literature. Dr Daljeet is the chief curator of the Visual Arts Gallery at the National Museum of India, New Delhi. They have both collaborated on numerous books on Indian art and culture.
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