From these pearls emanated a beautiful female as attractive as she was compassionate. The goddess Tara, thus born, has continued her upward spiral of popularity and remains one of the most loved and widely recognized deities of the Buddhist pantheon today. Truly, even though Avalokiteshvara retains his foremost status in the gallery of Tibetan gods, in the popular imagination it is Tara, who with her supple charm, has come to symbolize the tenderness of karuna.
It is relevant here to observe that Kuan Yin is often depicted in art holding a leafy twig, derived from the 'weeping willow' tree, known so due to its trailing leafy branches that droop to the ground and along which raindrops trickle down like tears. One of its distinctive characteristics is remaining green throughout the year, pointing perhaps to the goddess' fertility aspect, which is further echoed in images showing her with an infant.
Over centuries, Kuan Yin's visual depictions have highlighted her lithe, flowing form, much like the willow tree itself, which has the ability to bend during the most ferocious winds and then spring back into shape again. Indeed, who wants to stand rigid like the tall oak that cracks and collapses in a storm? Instead, one needs to be flexible like the willow, which survives the tempest. Or perhaps, Kuan Yin merely uses the willow branch to sprinkle the divine nectar of life on her devotees, which is stored in the vase she holds in her other hand.
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