The Indestructible Reality of the Buddha's Vajra Mind

$183.75
$245
(25% off)
Item Code: TJ51
Specifications:
Tibetan Thangka Painting
Dimensions 14.5" x 21.5"
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade
This painting portrays Buddha Shakyamuni in the center with an ornate nimbus of two nagas, makras, dwarfs, elephants, lions, and a garuda with outstretched wings topping them. Lord Buddha is depicted in the bhumisparsha-mudra whereby He summons the Earth goddess as witness to His supreme and ultimate Enlightenment. He is the Samyak-sambuddha, simultaneously enlightened and enlightening. Having emerged serene from amidst the raging melee of Mara. He is now saint per-excellence. The ushnisha, or protuberance on His head, is the seat of divine consciousness, terminated by a round ornament of the chintamani jewel. On the forehead is the auspicious mark or the urna. The long lobes of the ears are the external symbols of a yogi. His half-closed eyes and facial expression convey peace, serenity, calmness and deep spiritualism. He wears beautiful monk's robes.

Below the diamond throne of the Buddha are probably His two chiefs disciples, Sariputra and Maudgalyayana, one is holding an alms bowl, while the second one a vase, which is also an attribute of Maitreya. In the center, below the throne of the Master, are offerings on beautiful leaves and flowers rising from a lake. It is in front of a vishvavajra decorated red cloth hanging over the Buddha's pedestal base with its two white snow lions. The vishvavajrasymbolizes the indestructible reality of the Buddha's vajra mind as the unshakeable throne or ground of enlightenment. Below this is a beautiful lake with offerings. Lotuses and leaves at both sides of the thornback curl upwards, a stylistic device perhaps taken from the Tibetan painting tradition. In the divine sky two Buddhas and a red Amitabha Buddha have been depicted. The middle and foreground are filled with rocky landscape, lakes and natural vegetation etc.

The artist has successfully been able to execute this handsome thangka. The composition, lining, and color-combination are elegant. The whole is a pleasing harmony of colors with green, ochre and gold prevailing, conveying deep spiritualism.

References

Alice Getty, The Gods of Northern Buddhism, Tokyo, 1962

M.M. Rhie & R.A.F. Thurman, World of Transformation: Tibetan Art of Wisdom and Compassion, New York, 1999

S.K.Verma, Art and Iconography of the Buddha Images, Delhi, 1996

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Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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