Human Embryology

Email

Whatsapp

Facebook

Pinterest

Twitter

Copy link

Conception has primary and secondary causes. The primary causes are the father's semen the mother menstrual blood and the consciousness that enters the womb influenced by past life karma delusion, desire and hatred. The semen and menstrual blood should both be healthy; the semen should be white in colour; thick, plenty like honey, and sweet in taste and the menstrual blood should be like red rabbit blood; if it stains it is easily washed. In Tibetan medicine there are nine defects relating to the semen and menstrual blood that may prevent conception. These are here illustrated by the first nine egg like forms.

In addition to the semen menstrual blood and consciousness we need the five elements of earth, water, fire, air and space; these are secondary causes of conception. Earth helps the fetus to be solid; water helps it to cohere; fire to mature; air helps it to grow; and space helps it to move.

The father semen generates bone, the brain and the spinal cord while the mother's menstrual blood generates muscle tissue the five full organs and the six hollow organs. Consciousness develops the five senses.

Earth generates muscle tissue, bone and the nose and its sense of smell. Water generates blood, bodily fluids and the tongue and its sense of taste. Fire generates heat, clarity of complexion and the eyes and their sense of sight. Air generates breath, as well as the skin and its sense of touch. Space generates various orifices, among them the ears and their sense of hearing.

The embryo is thus formed by having healthy semen and menstrual blood, consciousness and the five elements.

The behavior and diet of the mother are very important for healthy development. She should avoid strenuous physical exertion late nights sleeping in the daytime, and eating hot and sharp foods. She should have plenty of fiber; inappropriate diet and behavior may result in miscarriage or stillbirth.

Whatever the mother eats and drinks is digested by her digestive system and its essence is stored in her reproductive organs. They are connected to the two channels of the uterus by the umbilical cord which in turn develops the fetus.

The development of the fetus takes thirty-eight weeks. In the fish stage of development the fetus is fish- shaped with no visible limbs. In the turtle stage the fetus is turtle-shaped; the limbs have appeared, as have the five full organs, the six hollow organs, the sense organs, and the connective nerves and channels. In the pig stage everything is developed and functional; it is called the pig stage because the fetus can now feel the dirtiness of its surroundings.

After thirty- eight weeks the fetus turns upside down and is ready for delivery. Symptoms are heavy feelings in the lower body excruciating back pains, expansion of the vagina and the frequent passing of urine. It is then important to properly care for the mother and child after birth.

Click Here to View the Thangka Painting along with its Brocade

Free Shipping. Delivered by to all international destinations within 3 to 5 days, fully insured.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.