Goddess Bhuvneshwari Tanjore Painting | Traditional Colors With 24K Gold | Teakwood Frame

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23 inch Height X 17 inch Width

Goddess Bhuvneshwari- the Ishwari (sovereign ruler) of Bhuvana (universe) in Hinduism and Tantra is the embodiment of Prakriti- the primordial female whose powers and allure manifest in the form of Srishti (creation).


One of the ten Mahavidyas (great wisdom) who form the essence of Shakta-Tantra (Tantric worship of the great goddess), Devi Bhuvneshwari in the folk tradition of South India is associated with Bhudevi, mother-earth, linked to the goddess of the land as the local protectress.


In Karnataka, a shrine dedicated to the queen of the universe has the goddess established as “Kannadamate” or the mother of Kannada) venerated by the royal dynasties, from Kadambas to the Vijayanagara empire as their tutelary goddess.


This goddess Bhuvneshwari Tanjore painting with traditional colors and 24 karat gold, with the goddess wrapped in a green sari, is her representation of the universal mother whose essence lives within us all. Maa Bhuvneshwari is seated on a golden throne fitting his stature as the sole source of creation. 

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Item Code: PAA983
Specifications:
Traditional Colors with 24 Karat Gold
Dimensions 27.5 inch Height X 21.5 inch Width X 1.75 inch Depth
Weight: 4.85 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade

The complementing tones of the teakwood frame, golden arched hall, and black background create a soothing outline for the image of the goddess in the center. A large aureole adorned with a gold leaf spread over finer details such as the Chattra (umbrella), Kirtimukha (face of glory), Makara motif, and the deep red halo with a fiery epicenter imbue in this goddess Bhuvneshwari Tanjore painting a divine aesthetic.


Devi wears an elongated Kiritamukuta crown, ornaments studded with red, white, and green cut glass pieces, and a heavy floral garland that frames her lovely form. Her alluring face glows like the sun, beautified by her third eye and traditional South Indian nose ornaments. In her secondary hands, the goddess holds Paasha (rope) and Ankusha (goad)- weapons used to disarm and control the enemies. Devi Bhuvneshwari’s primary hands are in the gesture of disseminating boons (left) and fearlessness (right), and her legs are in the Lalitasana (the posture of royal ease) that displays the frontal folds of her sari appealingly.


Pairs of parrots in the arch and Hamsa (swan) bird in the pillars embellish the royal palace of Maa Bhuvneshwari in this Thanjavur painting. In the center of the foreground of this painting is a golden Sri Yantra- the symbol of the universe itself, lying on the feet of the mother of the universe. Objects used in ritual worship or pooja Deepa (lamp), Jala (water), vermillion, and a plate of fruits and flowers are placed in front of the goddess’s throne, making this Tanjore painting a temple in a two-dimensional medium.


Gilded Elegance: Unraveling the Artistry of Tanjore Paintings

Tanjore painting is a traditional form of art in the South Indian style and was started by the inhabitants of a small town known as Thanjavur of Tamil Nadu. This gives it another name called “Thanjavur painting”. This painting draws its figures, designs, and inspiration from the time when Vedic culture was prevalent in India. Certain remarkable features of a Tanjore painting distinguish it from other paintings. Some of these are pure gold or gold foil coating on gesso work, the use of rich and vivid colors, and the inlay of cut-glass or semi-precious and precious stones. The subjects of most of the Tanjore paintings are Hindu Gods, Goddesses, and saints. The main devotional figure is portrayed in the central portion of the painting and is usually surrounded by various secondary figures.

The process of making a Tanjore painting

The classic Tanjore paintings are done on wooden planks and hence are also referred to as Palagai Padam in South India (Palagai = Wooden plank, Padam = Picture). Creating a masterpiece is never an easy task but the skilled artists of Thanjavur have been following the tradition of making timeless Tanjore paintings for decades.
The making process begins with preparing the wooden board or canvas. The size of the board depends upon the choice of the patron. The next step is to paste cardboard over the wooden board and then a cotton fabric is stretched and pasted upon it using Arabic gum.
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Now that the cloth is attached to the wooden panel, a rough sketch of the motifs and figure is drawn onto the fabric. After this, a paste of chalk powder and water-soluble adhesive is evenly applied over the base and smoothed.
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Thereafter, the outlines which were made or traced using a stencil are now ready to be beautified and decked with various add-ons. The usual materials for decoration are cut-glass, pearls, semi-precious and precious gems, gold leaf, and laces. 22 or 18 Karat Gold leaves and gems of varied hues are especially inlaid in areas like pillars, arches, walls, thrones, and dresses. In the final step, the rest of the painting is filled with rich and striking colors such as shades of red, blue, and green. Formerly, the artists used natural colors like vegetable and mineral dyes instead of chemical paints. The entire painting is then cleaned and refined to give a flawless finished look.
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Since the making of a single piece of Tanjore painting requires a complex and elaborate process, the artists usually take at least one or two months to complete it. The use of pure gold foil and gems for beautification is a characteristic of an authentic Tanjore painting. Due to this, Tanjore paintings last for generations without getting tarnished and are much more expensive than general paintings. Though the art form has undergone various changes and technique modifications over the years, it continues to attract the hearts of art lovers.
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