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Gaj Gajanana Ganesha Engraved Art | Watercolor On Palm Leaf | By Rabi Behra

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Specifications
DDC295
Artist Rabi Behera
Patachitra On Palm Leaf
13.00 inch Height X 10.20 inch Width
Weight 40 gm
Delivery and Return Policies
Ships in 1-3 days
Returns and Exchanges accepted within 7 days
Free Delivery
Easy Returns
Easy Returns
Return within 7 days of
order delivery.See T&Cs
Fully Insured
Fully Insured
All orders are fully insured
to ensure peace of mind.
100% Handmade
100% Handmade
All products are
MADE IN INDIA.

An Auspicious Vision

Invite divine blessings into your sanctuary with this exquisite depiction of Ganesha, the remover of obstacles and the god of beginnings. Its intricate detail and artisanal charm offer a profound sense of peace and prosperity, making it a focal point of any contemplative space. You'll find yourself drawn to its quiet power and enduring beauty.

Masters of Tradition

Each element of this artwork is meticulously etched and painted by the renowned artist Rabi Behra, a custodian of the ancient Pattachitra tradition. Crafted on dried palm leaves, carefully pieced together, the natural texture of the material lends a unique warmth and depth to the composition. You'll appreciate the delicate hand-drawn lines and the subtle, earthy watercolor hues that bring the divine form to life with unparalleled finesse and respect for the heritage.

Ethereal Details

The artist has masterfully rendered Ganesha in a seated posture, adorned with intricate jewelry and flowing garments that are characteristic of traditional iconography. The composition is framed by a beautifully detailed border of floral motifs and delicate patterns, showcasing a remarkable command of visual harmony. This piece, measuring approximately 13 inches in height and 10.2 inches in width, possesses a presence that is both commanding and serene, drawing the eye to every nuanced detail.

A Legacy of Devotion

The Pattachitra art form, originating from the eastern Indian state of Odisha, has a rich history spanning centuries, often depicting mythological tales and religious deities. This particular rendition of Ganesha draws upon a deep wellspring of spiritual and cultural significance, embodying the Vighnaharta's essence as a benevolent protector and harbinger of good fortune. You connect with a timeless narrative of devotion and artistic excellence.

A Sacred Adornment

This captivating artwork is ideally suited to adorn spaces dedicated to peace and contemplation, such as your home altar, meditation room, or study. Its modest yet impactful size allows for versatile placement, bringing a touch of sacred artistry to even the most intimate corners of your dwelling. It serves as a constant reminder of strength, wisdom, and the auspicious beginnings that lie ahead, enriching your daily life with its presence.

Preserving Enduring Beauty

To ensure its longevity, this palm leaf artwork should be kept away from direct sunlight and excessive moisture. Gentle dusting with a soft, dry cloth is recommended to maintain its pristine condition. By adhering to these simple care instructions, you will preserve the vibrant details and the inherent spiritual resonance for generations to come, cherishing a piece that is as enduring as its subject matter.

Mastering the Ancient Technique: Exploring the Meticulous Creation of Pattachitra Paintings

The traditional Pattachitra is a scroll painting that is done on cloth. This is revealed in the name; Pattachitra is a Sanskrit term made from two words i.e. Patta meaning cloth and Chitra meaning picture. The main subject of this painting is portraying Hindu mythological narratives, scenes from religious texts, and folktales. Pattachitra paintings are especially practiced in eastern Indian states such as West Bengal and Odisha, and also in some parts of Bangladesh. This art form is closely related to Shri Jagannath and the tradition of the Vaishnava sect. It is believed that Pattachitra art originated in the 11th century and the people of Odisha practice it even today without any discrepancy. Bengalis use these scroll paintings for ritual purposes (as a visual device) during the performance of a song or Aarti.
Pattachitra paintings are characterized by creative and traditional motifs/designs, decorative borders, and bright colorful applications. The outline of the figure and motifs are bold and sharp. Some common shapes and motifs seen in these paintings are trees, flowers, leaves, elephants, and other creatures. The artists of Odisha and Bengal still use the traditional method of painting which gives a unique look to it altogether.

1. Canvas is prepared

The process of painting a Pattachitra begins by preparing the canvas (patta). Generally, cotton cloth is used for making the canvas. The local artists dip the cotton cloth in a mixture of tamarind seeds and water for a few days. The cloth is then taken out and dried in the sun. Now natural gum is applied over it to stick another layer of cotton cloth on it. Thus a thick layer of cotton cloth is formed. This layered cotton is sun-dried and a paste of chalk powder, tamarind, and gum is applied on both sides. The surface of the cloth is then rubbed with two different stones for smoothening and it is again dried. This process gives the cloth a leathery finish and it is now ready to be painted.
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2. Natural colors are made using traditional method

The painters prepare and use vegetable and mineral colors for application in the painting. White color is made from conch shells, black is made by burning coconut shells, Hingula is used for red color, Ramaraja for blue, and Haritala for yellow.
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3. Colors are filled in

The artist now makes a double-lined border on all four sides of the canvas. The local artists are so expert in painting that they do not draw figures and motifs with pencil but directly draw them with a brush. The paint brushes that the painters use are made of the hair of domestic animals, a bunch of which is tied to the end of a bamboo stick. The figures are now painted with natural colors using the indigenous brushes. The outline is thickened with black color.
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4. Painting is given a finishing

Finally, the painting is varnished/glazed to protect it from any damage and to get a glossy shine on the surface.

The making of a Pattachitra is laborious work and therefore, one painting may sometimes take over a month to complete. Due to their classical look, these paintings are admired by people from all over the world. The artistic skills used in Pattachitra are passed down from one generation to another and thus are preserved to date.
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