Bhagwan Parshuram | Traditional Colors With 24K Gold

$960
$1280
(25% off)

In the pages of the pious Hindu text- Bhagavata Purana, we find the episode of Kartavirya’s battle with Parashurama, how the sixth avatar of Vishnu slew the king, and how this led to the murder of his father, sage Jamadagni at the hands of the sons of Kartavirya. As vengeance on the death of his father, in whose lamentation his mother Renuka beat her chest twenty-one times, Parashurama (literally, Rama who wields the Parashu or battle-ax) swore to wipe the earth off all the Kshatriyas, twenty-one times. 

Item Code: PHD011
Specifications:
Traditional Colors with 24 Karat Gold
Dimensions 21 inch Height X 18 inch Width X 2 inch Depth (With Frame)
Weight: 4.30 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Fair trade
Fair trade

In his representation in art, Bhagwan Parashurama can be seen carrying the battle-ax, in the form of a valorous warrior. This Tanjore painting is rare in the manner in which it brings out the persona of the valant Parashurama, who can be seen approaching his enemy in a particularly attacking manner, making this painting highly emotive and absorbing.


The Tanjore Bhagwan Parashurama painting comes with a fine black wooden frame that adds allure to the scene it highlights. The use of 24 karat gold in the embellishment of this Tanjore painting further enhances the divine aura of Bhagwan Parashurama, who stands with one foot on the chest of a figure dressed in a kingly manner, probably a representative of the Kshatriya race, his sworn enemies. In the heroic “Alidha” posture, Parashurama overpowers the king, who is stretched on the ground, and seems to be struggling. The wide eyes raised ax, and musculature that is highlighted by the brilliant shading of blue ideally bring out the character of Bhagwan Parashurama as a powerful warrior. Though his demeanor and weaponry underline his role as a warring god, the gold embossed sacred thread, matted hair, and saffron garment underneath the gold embellishment that is a distinctive feature of the Tanjore paintings- all the elements remind us that Bhagwan Parashurama is an ascetic, a Brahmana by birth.


The wrath of Parashurama in this Tanjore painting is reflected perfectly by the Kirtimukha that encircles the god and weaves together the scene of his glorious triumph.

 

Gilded Elegance: Unraveling the Artistry of Tanjore Paintings

Tanjore painting is a traditional form of art in the South Indian style and was started by the inhabitants of a small town known as Thanjavur of Tamil Nadu. This gives it another name called “Thanjavur painting”. This painting draws its figures, designs, and inspiration from the time when Vedic culture was prevalent in India. Certain remarkable features of a Tanjore painting distinguish it from other paintings. Some of these are pure gold or gold foil coating on gesso work, the use of rich and vivid colors, and the inlay of cut-glass or semi-precious and precious stones. The subjects of most of the Tanjore paintings are Hindu Gods, Goddesses, and saints. The main devotional figure is portrayed in the central portion of the painting and is usually surrounded by various secondary figures.

The process of making a Tanjore painting

The classic Tanjore paintings are done on wooden planks and hence are also referred to as Palagai Padam in South India (Palagai = Wooden plank, Padam = Picture). Creating a masterpiece is never an easy task but the skilled artists of Thanjavur have been following the tradition of making timeless Tanjore paintings for decades.
The making process begins with preparing the wooden board or canvas. The size of the board depends upon the choice of the patron. The next step is to paste cardboard over the wooden board and then a cotton fabric is stretched and pasted upon it using Arabic gum.
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Now that the cloth is attached to the wooden panel, a rough sketch of the motifs and figure is drawn onto the fabric. After this, a paste of chalk powder and water-soluble adhesive is evenly applied over the base and smoothed.
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Thereafter, the outlines which were made or traced using a stencil are now ready to be beautified and decked with various add-ons. The usual materials for decoration are cut-glass, pearls, semi-precious and precious gems, gold leaf, and laces. 22 or 18 Karat Gold leaves and gems of varied hues are especially inlaid in areas like pillars, arches, walls, thrones, and dresses. In the final step, the rest of the painting is filled with rich and striking colors such as shades of red, blue, and green. Formerly, the artists used natural colors like vegetable and mineral dyes instead of chemical paints. The entire painting is then cleaned and refined to give a flawless finished look.
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Since the making of a single piece of Tanjore painting requires a complex and elaborate process, the artists usually take at least one or two months to complete it. The use of pure gold foil and gems for beautification is a characteristic of an authentic Tanjore painting. Due to this, Tanjore paintings last for generations without getting tarnished and are much more expensive than general paintings. Though the art form has undergone various changes and technique modifications over the years, it continues to attract the hearts of art lovers.
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