Framed in teakwood, the Tanjore painting that you see here portrays the greatest motherly affection that the holy land of Vraja ever witnessed. The Supreme Lord Krishna in Dwapar Yuga appeared in the Yadu Dynasty as an ordinary child and performed many uncommon activities that were always an astonishment for Mother Yashoda. Although she was aware of the fact that her sweet child was not like other children of Vrindavan, she still loved Him with all her heart and considered Him just a small child who was dependent on His mother. Lord Krishna being the source of all pleasure, in return, gave Mother Yashoda the greatest form of pleasure. She was always engaged in Krishna’s loving service and remained absorbed in His thoughts while carrying out her regular household activities.
Tanjore paintings are known for their extraordinary depictions of devotional icons and among them, Lord Krishna’s childhood form paintings are given the most love. Here, the All-Attractive baby Krishna sits on the lap of His beloved Mother Yashoda who has decorated her innocent child with short-length dhoti tucked in with a beautiful waistband. He is adorned with several effulgent ornaments on His ever-youthful and delicate body and a peacock feather adorns His head. Krishna loved stealing and eating butter from the houses of gopis for which He is always known as Makhan chor. He holds a big pot of butter around His left arm and Mother Yashoda with her eyes intoxicated with unconditional love for Krishna, offers a butterball to Him. Krishna, who controls everything and everyone in the entire universe, loves to be controlled by His mother. He brings a soft and gentle smile on His moonlike face which lights up the mood of everyone around Him. The fortunate mouse and parrot present there enjoy the pure bond between Mother Yashoda and Krishna and enter into the state of trance. Where there is Krishna, there is a celebration.
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