Parween Sultana was a prodigy. As a teenager, she shot to superstardom with a voice and style, which placed her squarely in the seat vacated by none less than the revered Ustad Bade Ghulam Ali Khan by his untimely illness and death. The maestro had stunned India in the forties with a demonstration of what Indian classical music can be, and what the voice can do. Parween created a similar sensation a quarter of a century later- completely taking over a generation, which had not even heard Bade Ghulam Ali Khan. The range and the speed were of course phenomenal, but additionally there was that lush and sparkling sense of melody, an utterly sensitive and beauteous way of improvisation, limitless creativity, lyricism and an overall sense of sheer magic. She received the Padma Shri when she was in her twenties. She took Southern India by storm too. She has the distinction of presenting the maximum number of Hindustani classical concerts south of the Vindhyas. In this album Parween Sultana renders khayals and tarana in ragas Maru Bihag, Amba Manohari and Hansdhwani, presented for Swarutsav 2003. Maestro's Choice Parween Sultana
Raga Maru Bihag, 30:15
Raga Amba Manohari, 15:26
Raga Hansdhwani (Tarana), 11:34
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