The composition is dominated by his Mughal features. The style of both his hair and moustaches, and to some extent his face, show influence of the earlier stages of the Jehangir era of Mughal painting. The green halo further defines his regal status. His costume too, including his turban and crown are typically Mughal. He is riding a majestic horse, the legs of which are painted in Raghogarh style and is richly saddled in the Rajput manner. This portrait is thus an interesting blend of Rajput and Mughal traditions.
The statue of a deer used as kathi or the riding seat (richly ornamented with floral motifs), with which the horse has been saddled, is a rare element in Mughal painting.
The artist has employed fine line-work, and a technique of embossing whereby actual jewels consisting of semi-precious stones have been stuck on the surface of the painting using a strong adhesive, recreating the aura of Royal Mughal splendor.
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