In a few of the paintings, vertical and horizontal space arrangements are so used as to divide the work, incidents separated by time and space, yet portrayed at the same moment- one panel leaping into action and movement and the other static and frozen. Here, the three horizontal sections are separated by geometric patterns but enclosed in similar borders, as if stressing on the oneness of the subject matter. The upper and the lower sections are identical in theme, depicting a pair of animals on either side of the bamboo tree, with a lotus flower carefully placed where the tree divides into two. It is a wedding picture where the bamboo grove motif metaphorically represents the bridegroom and epitomizes male regenerative energy. The lotus flower represents female fertility. The elephants symbolize wisdom and the lions on the lowest panel are symbolic of power and strength.
The middle section of the painting is devoted to appeasing deities, drawn here in the form of masks. The color scheme is not sharp; it is instead pleasing to the eye and mind.
This painting aims at developing furtive vital relations, and each image allows its neighbors a proper space and stretches out in patterns like the sprouting branches of a tree and their colors quietly balancing across each panel. Our painting incorporates drawings representing celestial deities, animals as well as some interesting pictographic designs.
This description by Renu Rana.
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