The concept of raga, the traditional basis of melodic composition and improvisation in Indian classical music, has become familiar to listerners and musicologists throughout the world, but its historical origins and early development have been little explored.
"Theory of Indian Ragas" gives and opening into the wide world of varied concepts of the Ragas, which are timeless, without history and chronicle. This book analyzes their notation, musical structure and relationship to the theoretical tradition in which they are embedded and cultivated in the Indian tradition.
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