Raj Kapoor (Set of 2 Books)

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This set consists of 2 titles:

  1. Raj Kapoor Speaks
  2. Raj Kapoor- The Master At Work
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Delivery Ships in 1-3 days
Item Code: BKNA157
Author: Ritu Nanda
Publisher: Penguin Books India Pvt. Ltd., Bloomsbury Publishing India Pvt. Ltd
Language: English
ISBN: 0670049522, 9789388630160
Pages: 470 (Throughout Color and B/W Illustrations)
Cover: Hardcover
Weight 940 gm


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Book Description
This bundle consists of 2 titles. To know more about each individual title, click on the images below.
Raj Kapoor Speaks
From the Jacket :

Raj Kapoor, the creator of such classics of the silver screen as Awara, Aag and Sangam, is many things to many people producer, director, actor, editor, musician, storyteller, a man of many moods, and an acknowledged patriarch of India's film industry. He is also known to the world as an extraordinary and controversial showman, a lover, an idealist, a reformer. There will be endless debates about his exact contribution to the art of film-making, but few can deny that he was the greatest entertainer of Hindin cinema. He worked within the cinematic tradition he inherited, modified it, added new elements to it, and thus produced a distinctive, seductively romantic and immensely popular oeuvre.

In this pictorial tribute, his daughter Ritu Nanda uses his own words, culled from interviews, journals and anecdotes, to give us a unique 'autobiography'. As revealing as it is engaging, this is a fascinating record for posterity of the life and work of the man widely regarded as 'the last true movie mogul of Indian cinema'.

About the Author :

Ritu Nanda, the second child of Raj Kapoor, has been one of the leading insurance intermediaries of the Life Insurance Corporation of India for the last fourteen years and ranks among the top 1000 insurance professionals in the world. She is Chairman and CEO, ESCOLIFE, a high technology platform created to provide service to the entire insurance sector worldwide. She is also CEO of Raksha TPA, which provides third party administrative services for health care. In 2000, she established the RNIS College of Insurance, which today has over 50 branches all over the country.

Ritu Nanda is married to the industrialist Rajan Nanda, and has two children, Nitasha and Nikhil, a daughter-in-law, Shweta, and two grand children, Navya Naveli and Agastya. She lives in New Delhi.

CONTENTS

Prefacevii
Childhood1
Family9
Beginnings37
Heroines43
Films59
Colleagues & Friends87
Music97
Political Meetings105
Work109
Relaxations125
Reflections133
Visit to USSR155
Visit to USA161
Last Days169
The Show Goes On177
Awards180
Filmography182
Tributes184
Acknowledgements195
Raj Kapoor- The Master At Work
About the Book
In this warm, thoughtful memoir, veteran filmmaker Rahul Rawail goes back to his days spent in R.K. Studios where he was nurtured and taught to handle the ropes of filmmaking from the Master himself-Raj Kapoor. Through stories only he can tell, Rawail delves not only into the techniques of the legendary filmmaker, but also into hitherto unknown aspects of Raj Kapoor's eccentric personality-his quirky sense of humor, his insights into life, the relationship he shared with his crew and his associations with artists of three generations.

The book also examines how the lessons he learnt under the tutelage of Raj Kapoor carried Rahul Rawail through directing his own blockbuster films including Love Story, Betaab, Arjun and Dacait.

Raj Kapoor: The Master at ·Work offers unique insights into what it took for Raj Kapoor to be an exceptional filmmaker, with his understanding of human emotions, virtu s of music and the art of visual storytelling. Within these pages, one sees behind the enigma who lived and breathed cinema, in his before-seen role as a teacher, mentor, parent and guru.

About the Authors
RAH U L RA WAI L is an Indian film director who worked as an assistant director to Raj Kapoor and was closely associated with him for several years. He is known for directing films like Love Story (1981), Betaab (1983),Arjun (1985), Dacait (1987), Anjaam (1994) andA7jun Pandit (1999).

He has also launched the careers of a few Bollywood actors like Kumar Gaurav and Vijeta Pandit in Love Story, Sunny Deol and Amrita Singh in Betaab, Paresh Rawal inA7jun (1985), Kajol in Bekhudi (1992) and Aishwarya Rai in Aur Pyaar Ho Gaya (1997).

PRANIKA SHARMA started her journey into the world of publishing with a bachelor's in English Literature. She worked in journalism and mass media before going to the UK to complete her master's in Creative Writing. Currently, she is the co-founder of Saga Fiction, a mobile reading app.

Foreword
I consider myself very fortunate to be writing the foreword to this book that talks about my father, Raj Kapoor, and the relationship he shared with his films. It's something that has never been documented before, and if there is someone who could share my father's facets as a filmmaker, it is Rahul Rawail, his erstwhile assistant director.

You see, making films is not a science, it is intuitive; it is a creative art that comes from within. Sure, there is some science involved, but unless it comes from the heart, it does not make a good film. Mechanically, anyone can write a film, but there are very few people who have the right passion and zeal to bring these stories to life. This was the first lesson my father taught me.

I still remember the day he narrated the story of Prem Rog. He had told me that this would be a poignant love story but the story that he narrated was of a young widow and the relationship between her and the patriarch of her marital family, the elder brother of her father-in-law. This story did not have a role for the hero, so where was the love story? I asked. He laughed and said, 'How can there be a love story without a hero? Who toh aajayega, film toh banne do.' As it happened, the hero did arrive and the film turned out to be a memorable love story. That's how he made his films. Everything was plotted out in his mind and this was his way of working.

Raj Kapoor had his own brand of filmmaking. His thoughts about the film he was making were translated by him into celluloid. He worked on any film with complete conviction and the credit for a hit film or a flop film was his completely, and he took all feedback very gracefully and never had regrets if his film flopped. 'I accept responsibility for a film's success or failure. A film fails because of errors of the director.'

His ideas were always ahead of his time and his films reflected that. Mera Naam Joker was one such example-it was a major flop when it released but, with time and people understanding what the film was about, it is now recognized as one of Raj Kapoor's most appreciated films and a major profit point in my organization.

My misfortune' was that I only got to observe Raj Kapoor, the director, but never work with him. Rahul, on the other hand, was not only fortunate to have worked with him but also become his favorite assistant. He took his work very seriously and followed Raj Kapoor to a tee. He had imbibed a lot of my father's way of working in him and translated those in his own ways in his films. I am so glad that this book bares open the creativity, eccentricities, obsessions and techniques of Raj Kapoor, and will lead people to know that my father was a man who lived for cinema and worked relentlessly to bring his visions to life.

Book's Contents and Sample Pages





















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