The Six-Armed (Shadbhuja) Mahakala (mGon po phyag drug pa) -Tibetan Buddhist

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He is adorned with the following symbolic attributes:

1). A crown of five skulls: This is worn by all manifestations of Mahakala and represents the transmutation of the five negative afflictions of human nature into positive virtues. Thus:

a). Ignorance transforms into the wisdom of reality.

b). Pride becomes the wisdom of sameness.

c). Attachment becomes the wisdom of discernment.

d). Jealousy becomes the wisdom of accomplishment.

e). Anger becomes mirror like wisdom.

2). The Six Arms signify the successful completion of the six perfections (shad-paramita), which are practiced and brought to perfection by bodhisattvas during the course of their training. These are:

a). The perfection of generosity (dana-paramita)

b). Morality (shila-paramita)

c). Peace (shanti-paramita)

d). Vigor (virya-paramita)

e). Meditation (dhyana-paramita)

f). Insightful Wisdom (prajna-paramita)

3). The arms hold various implements each of which has a symbolic significance:

a). The first right hand holds a curved knife. In Mahakala's symbolism the curved knife cuts through the life veins of enemies such as oath-breakers and hindering spirits.

b). The skull cup in his primary left hand is filled with the heart-blood of these enemies.

The crescent shaped chopper of the right hand corresponds in shape to the cavity of the skull cup and functions to make 'mincemeat' of the hearts, intestines, lungs, and life-veins of enemies hostile to the Dharma, which are then collected in the skull cup. A similar crescent shaped hand cleaver is used in oriental cuisine to chop meat and dice vegetables.

c). The next right hand holds a damaru - the hourglass-shaped drum, signifying the primordial sound from which is said to have originated all manifested existence. Its rattle is also said to emanate the sound that arouses us from our ignorant state, coaxing us on to the path of Dharma.

d). The uppermost right hand holds a rosary of skulls. The continuous counting of the rosary is a symbol of perpetual activity, which Mahakala achieves on a cosmic scale.

e). Another left hand holds a trident which represents the Three Jewels of Buddhism, the Buddha, the Dharma, and the Sangha.

f). Finally there is the noose for lassoing those of us who have strayed away from the path of the Dharma.

The Six-armed Mahakala's left leg is outstretched while the right is bent at the knee. The former symbolizes his accomplishments for the benefit of others and the latter those for himself. An elephant-headed entity lying crushed under his legs represents our instinctive, primary animal force and urge, which when unleashed can prove to be extremely destructive. These cravings however, can also be extremely useful to our self-development and -realization when we master them and bring them under our moderation. Indeed, it is warned that dreaming about a herd of elephants is a sign that instinctive and irrepressible forces that may have been suppressed for too long are about to be unleashed.

The disc on which Mahakala stands denotes his illumination of the darkness of ignorance, and the lotus on which this disc rests signifies his undefiled purity.

The blazing fire surrounding him demonstrates his powerful energy out to consume all neurotic states of minds. Further, his three organs of vision express his ability to see the past, present and future. That he stares at the world with wide eyes signifies that he is incensed at the current state of affairs.

Snakes slither across his body as ornaments and also as the scared thread of Brahmins. The writhing serpent is a metaphor for the stirring of our psychic instinctive and primordial energy and Mahakala's wearing them as adornments expresses the fact that rather than impede our spiritual progress, such emotions have been tamed and harnessed, becoming in the process, crowning glories of our spiritual achievements.

Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.

The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.

After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.

Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.

In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.

Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.