Black Mandala of Buddha Shakyamuni (Eminently Suited for Worship and Meditation)

$228.75
$305
(25% off)
Item Code: TJ52
Specifications:
Black Meditational Tibetan Buddhist Thangka Painting - with 24 carat gold
Dimensions 13.5" x 16.5"
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
100% Made in India
100% Made in India
Fair trade
Fair trade
This is a beautiful and interesting black mandala. The central figure in the mandalais the Buddha Shakyamuni, who is seated in vajraparyankasana on a lotus base in the center. His right hand is in earth-touching gesture, while the left hand is in meditation position and holding a begging bowl. There are eight petals surrounding him, which depict eight guardian deities. All the four gateways in the square of the mandala are protected by protector deities. Each triangle of the square is also protected by the guardian deities. Walls of the mandala are decorated with stylized designs in gold and silver colors. Over the gates are houses with decorations. A dharmawheel type decoration is in the center of the each gateways. Moreover vases with jewel are depicted on each gate outside the wall. The area outside the square is filled with stylized clouds.

The mandala has an inner circle of lotus and outer circle of flames which protect the inner residence. Above the mandala Amitabha Buddha is seated on the top. The figures of Bodhisattva Kshitigarbha and Shadakshari Lokeshvara are on upper left and right corners, respectively. Exquisitely designed lotus flowers, leaves and clouds surround these figures.

In the center lower register of the thangka, celestial Buddha Amoghsiddhi sits on a lotus. In the lower left corner, Bodhisattva Manjushri and in the right, Akshobhya Buddha are seated on divine lotus seats in the rocky landscape.

Apart from the depiction of divinities, the foreground is filled with high peaks covered with snow, lakes and clouds etc. Two wrathful dragons are vertically depicted on each side of the middle ground. The composition of the painting conveys the beauty of black. It is said that Buddhists generally meditate on black thangkas to break the deadly grip of fear and hatred in order to attain wisdom and compassion. This thangka is very suitable for such meditation and worship.

Reference Alice Getty, The Gods of Northern Buddhism, Tokyo, 1962

B. Bhattacharyya, The Indian Buddhist Iconography, London, 1924 K.K. Dasgupta & Others (Ed.), Comprehensive History of India, Vol. III, Part II, PPH, Delhi, 1982

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Unveiling the Divine Art: Journey into the Making of Thangkas

A Thangka is a traditional Tibetan Buddhist painting that usually depicts a Buddhist Deity (Buddha or Bodhisattva), a scene, or a mandala. These paintings are considered important paraphernalia in Buddhist rituals. They are used to teach the life of the Buddha, various lamas, and Bodhisattvas to the monastic students, and are also useful in visualizing the deity while meditating. One of the most important subjects of thangkas is the Bhavacakra (the wheel of life) which depicts the Art of Enlightenment. It is believed that Thangka paintings were developed over the centuries from the murals, of which only a few can be seen in the Ajanta caves in India and the Mogao caves in Gansu Province, Tibet. Thangkas are painted on cotton or silk applique and are usually small in size. The artist of these paintings is highly trained and has a proper understanding of Buddhist philosophy, knowledge, and background to create a realistic and bona fide painting.
The process of making a thangka begins with stitching a loosely woven cotton fabric onto a wooden frame. Traditionally, the canvas was prepared by coating it with gesso, chalk, and base pigment.
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After this, the outline of the form of the deity is sketched with a pencil or charcoal onto the canvas using iconographic grids. The drawing process is followed in accordance with strict guidelines laid out in Buddhist scriptures. The systematic grid helps the artist to make a geometrical and professional painting. When the drawing of the figures is finalized and adjusted, it is then outlined with black ink.
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Earlier, a special paint of different colors was made by mixing powdered forms of organic (vegetable) and mineral pigments in a water-soluble adhesive. Nowadays, artists use acrylic paints instead. The colors are now applied to the sketch using the wet and dry brush techniques. One of the characteristic features of a thangka is the use of vibrant colors such as red, blue, black, green, yellow, etc.
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In the final step, pure gold is coated over some parts of the thangka to increase its beauty. Due to this beautification, thangkas are much more expensive and also stand out from other ordinary paintings.
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Thangka paintings are generally kept unrolled when not on display on the wall. They also come with a frame, a silken cover in front, and a textile backing to protect the painting from getting damaged. Because Thangkas are delicate in nature, they are recommended to be kept in places with no excess moisture and where there is not much exposure to sunlight. This makes them last a long time without their colors fading away. Painting a thangka is an elaborate and complex process and requires excellent skills. A skilled artist can take up to 6 months to complete a detailed thangka painting. In earlier times, thangka painters were lamas that spent many years on Buddhist studies before they painted.
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